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Similar Fonts to Brandon Grotesque Font (Related Fonts)īrandon Grotesque Font is a free font that can be downloaded in the system from the link mentioned below. Brandon Grotesque Font Family (Includes 12 Typeface) Interestingly you can get facilitated with the font on a commercial level too. It will surely give a pleasant touch to your design. Like every other font, Brandon Grotesque Font can be used free of cost for your personal work. Brandon Grotesque Font Family Viewīrandon Grostesque Font View Font Information Name Later in 2017, its custom version Brandon Text, Bogle originated for Walmart.
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The university is in Canada and is one of the well-known uni universities in the world. The font gained immense popularity after being highlighted as a Brandon University’s watermark. You can also use this font on different posters. This font would be the perfect choice for those who want to promote their newly created website. It has used in many comedy contents for a long time and is best known for being used in different promotional events. Since the font release, it has become the centre of attention in many notable places. The best pairing of this font includes Aventura Font, Linotte Font, Isidora Font, Monoton font and many others. You can likewise use this font for many other purposes. Symphonie Grotesque is the work of Frode Helland, a type designer from Norway.If you are looking forward to having a font for your company’s or website’s promotion, then Brandon Grotesque would be the perfect choice as it has been used in many promotional events. It will surely also come into good use in design for galleries and publications about contemporary art. Symphonie Grotesque is an excellent selection for use in branding or in other kinds of corporate identity design. The fonts’ ascenders rise quite a bit above the tops of the capital letters, but the capitals and the numerals both share the same height. The middle-two diagonal-strokes of the ‘M’ remain visibly above the baseline in all of the family’s styles. Symphonie Grotesque’s numerals are tabular lining figures the ‘1’ always has a nice, wide base-stroke at its bottom. But in the italics, the ‘a’ becomes single-storey, and the ‘f’and ‘ß’ get descending tails, too. For example, in Symphonie Grotesque’s upright fonts, the ‘a’ is double-storey, while the ‘g’ is single-storey (just what one would expect for a typeface of this genre). Instead of just offering slanted, or oblique versions of the upright fonts’ letters, Symphonie Grotesque’s italic fonts include several unique, more cursive-style letterforms. Symphonie Grotesque’s italics are what really set it apart from other neo-Grotesque families. Each weight has an upright and an italic font on offer.
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There are five different weights available, ranging from Regular through Heavy. Symphonie Grotesque is a family of neo-Grotesque-style sans serif fonts. Don’t want to lose too much time with the glyphs palette? Use the Eastman Alternate weights, thought for display use and presenting a selection of some of the more eye catching & unusual letter shapes available for the family. The most impressive feature of all Eastman fonts remains the huge choice of alternate characters and stylistic sets that allows you to fine-tune your editorial and branding design by choosing unique, logo-ready variant letter shapes. All share a solid monolinear design and a tall x-height that makes body text set in Eastman extremely readable on paper and on the screen.Influenced by Bauhaus ideals and contemporary minimalism, but with a nod to the pragmatic nature 19th century grotesques, Eastman has been developed as a highly reliable tool for design problem solving, and given all the features a graphic designer needs - from a wide language coverage (thanks to over one thousand and two hundred latin, cyrillic and greek characters) to a complete set of open type features (including small capitals, positional numbers, case sensitive forms). While Eastman Compressed and Eastman Condensed behave as space-saving condensed families, Eastman Grotesque adapts the family design style to humanist proportions. The original wide weight range has been complemented with three more additional widths, to give you maximum control over the appearance of text in your page. Designed in 2020 for Zetafonts by Francesco Canovaro and Andrea Tartarelli with help from Solenn Bordeau and Cosimo Lorenzo Pancini, the original Eastman typeface family was conceived as a geometric sans workhorse family developed for maximum versatility both in display and text use.